Even the camera seems to want to savor it too. During another double blowjob, Gal and Chanel take a break to kiss, and the camera pushes in. It frames Zac’s cock - now being stroked - but gives equal weight to the girls’ faces, capturing their beauty as they lean into one another. As if acknowledging the moment, the girls double down on their oral skills, sealing the beat with a textbook double BJ that looks unbelievable.
That theme of appreciation extends to the camera. Three-person scenes often struggle to frame everyone effectively, especially when one girl ends up sidelined or partially obscured. Not here. Whether it’s cowgirl, doggy or reverse cowgirl, the camera consistently finds angles that highlight all three bodies - or, at the very least, keep Gal and Chanel visually present.
Take cowgirl: Chanel rides Zac while the camera stays centered on her. Her ass looks phenomenal here. But then the camera pans left, opening up the view to reveal Gal sitting on Zac’s face at the same time. Similarly, doggy is shot from a high angle that captures both girls in action - Chanel on her back getting eaten out, Gal on all fours - before the lens dips down to bring us closer to the penetration and cunnilingus. There’s a thoughtful rhythm to the camerawork that avoids the usual clutter or chaos of threesome scenes.
Lighting takes over in the reverse cowgirl positions. Gal goes first, and even though her abdomen isn't extremely defined, the position and lighting make the natural vertical lines across her stomach look absolutely gorgeous. The white light spilling in from sheer curtains bathes her in a bright tone that makes her body look like a sculpture in morning light - all contours and softness. Chanel follows with even more flair, performing quick but controlled circular movements that show just how much mastery she has over her own rhythm. And the light hits her the same way, sculpted but bright.
Zac’s known for his standing positions, and even on a bed - where balance is trickier - he goes for it. He lifts Chanel in a stand-and-carry, a move that naturally accentuates the roundness of her butt. And even though it's not a standing pose, he guides her afterwards into a butterfly missionary - a legs-up variation that gives us another stunning angle of her lower body. And that's not him showing off. He’s highlighting his partners - exactly what he talks about in the interview.
And then there’s the little magic trick. Usually, BellesaHouse cuts straight from interview to action. But here, we see Gal and Chanel walk through the door, dressed up. Cut to Zac for a second… and when we look back, they’re already naked, pouncing on him. It’s small, probably meaningless to most, but it speaks to how the whole scene just keeps outdoing itself.
In the interview portion, director Jacky St. James jokes that by bringing together three award-winners, maybe this episode could win an award too. And while that’s for AVN to decide, one thing is clear: Episode 238 shows us what it’s like when three award-winners fuck, but especially what it’s like when they really enjoy it - with the highest quality to back it up.
