🔥 PornCrush Daily Deal: Up to 85% Off Premium Memberships on the Web's Top Adult Sites

Save Now

PornCrush Scene of the Month: Sonya Blaze and MelRose Michaels Turn Every Room Into a Stage in Slayed’s Girl-Girl Triumph

"It’s a masterclass in intensity and responsiveness, reminding us that sometimes, the oldest formulas still hit hardest when the connection is real," critic says of July’s top scene

By Andrew Curse / Contributor

Aug 13, 2025 6 min read

In May, Slayed’s Fit Redhead Makes Cute BFF Squirt landed at #2 in the Top 10 Porn Scenes without any elaborate tricks—no toys, no unusual locations, and no nontraditional angles. It kept to the core setup of lesbian porn and still outpaced scenes with much flashier gimmicks. The reason was simple: energy. HoneyBee and Little Dragon didn't need props. Their chemistry was immediate, and their rhythm was electric. It was a masterclass in intensity and responsiveness, reminding us that sometimes, the oldest formulas still hit hardest when the connection is real.

Besties Sonya and MelRose Ditch Hubbies For Girls Time earns its crown for July by doing something even bolder: combining that emotional energy with the kind of inventive staging and visual freedom not often seen in girl-girl scenes. Directed by Julia Grandi, the scene is fueled not just by lust but by a kind of visual restlessness—it wants to show you everything, from every angle, in ways that are both fresh and technically clever.

Most lesbian scenes rely on three predictable positions: scissoring, 69, and the classic oral pose where one girl lies on her back and the other hovers between her thighs. And part of the reason they feel redundant is because of cinematography. Filming two female bodies in action is deceptively complex—heads obscure the view, limbs collapse the space, and the horizontal framing of a bed compresses depth, making it hard to capture everything at once. It’s a visual challenge that requires real intention to overcome.

And this scene does it. Instead of confining the action to a bed or a couch, it roams freely across the house—starting in the kitchen, moving through transitional spaces, and finally arriving at the bedroom for its finale. Every spot brings a new angle, a new dynamic, and a different kind of power exchange. Each setting feels like a curated chapter, not just a backdrop. And that freedom makes a big difference.

That intention would perhaps not matter nearly as much if the casting weren’t so pitch-perfect. Sonya Blaze, with her model-like proportions—perfect boobs, flat stomach, long legs, and a face that borders on ethereal—looks like she walked off the pages of a European editorial. MelRose Michaels is a powerhouse of curves and confidence, her auburn waves and sculpted features radiating glamour. They’re both rare gets—neither shoots often—which gives the scene an extra layer of exclusivity. Styled in complementary colors throughout each phase too—swimwear, dinner dresses, then lingerie—they’re framed as living statues: beautiful, luxurious, and entirely in control.

One of the best examples of that visual logic comes with the decision to stage Sonya in a standing pose. When MelRose begins kissing Sonya while she’s standing against a glass wall, the camera captures her body in its full vertical glory. Her perfect breasts stay high and firm, her long abdomen stretches taut, and her legs form a natural column of definition. But it gets even better when the camera cuts behind the glass—giving us a rare posterior view where Sonya’s ass is flexed against the glass and MelRose’s tongue is clearly visible between her legs. It’s an exceptional visual of pussy and ass in perfect, simultaneous focus.

In the kitchen, similarly, rather than default to floor-level angles or a countertop lean, they first opt for the barstool. By doing so, it elevates MelRose into a semi-reclined position, freeing up space below and around her. This allows the camera to keep maneuvering upwards, underneath, or to the side for open, erotic angles, and offers a mostly unblocked line of sight to Sonya's tongue and fingerwork, Ms. Michaels' reactions simultaneously, and even a little bit of the Russian's body.

Sonya takes her time—beginning with a focused, clit-only approach that immediately draws visible responses from MelRose. The 34-year-old bites her finger, contracts her abdomen, and throws her arms up, overwhelmed by sensation. As Sonya transitions into fingering—adding penetration to clitoral stimulation—we see how fully aroused MelRose has become, as she is completely wet by this point. If they’d been on a bed, much of this would be lost—her pussy hidden behind Sonya’s head and her reactions partially blocked. Instead, we get everything: arousal, technique, and body language, all in one frame.

When the scene shifts to the dinner table, and you'd expect the framing to be similar to the standard in-bed lesbian film, even that gets a new flair. At first, MelRose's head blocks the view of Sonya's pussy—but her elevated positioning still allows for a clear line of sight to the rest of her body. Then, as if aware of the block, MelRose adjusts to the side. Not only does it clear the angle entirely, it also brings the women back into kissing range, reinforcing the constant theme of connection.

And then finally, when they do reach the bed, they again resist the pull of the standard layout. They don't lean back or scissor—instead, both women take turns getting eaten out on all fours. The view, of course, is unbroken once again: the arch of the back, the roundness of the buttocks, and the length of both bodies. It's a point of view that provides a different focus, and at the same time allows them to stimulate themselves while being rimmed from behind.

Throughout, the passion never fades. Sonya and MelRose kiss—constantly. Long kisses, short kisses, gentle grazes, and deep locks. There are over 200 of them. And even when the camera isn’t on their mouths, you can hear the audible smack of their lips meeting. The tension is almost comedic at times: they’re so caught up in each other that even as they're about to shift positions, they linger to kiss just a couple more times. Dani Daniels and Prince Yahshua combined for an iconic kissing scene for Blacked over ten years ago, and perhaps even that scene didn't feature as many kisses as this one.

Back in May, HoneyBee and Little Dragon took the #2 spot with sheer energy. But Sonya Blaze and MelRose Michaels took things a step further—melding that same heat with spatial creativity and bodies captured in their fullest glory. Slayed usually sticks close to the bed, but Besties Sonya and MelRose Ditch Hubbies For Girls Time expands every corner of the frame. It’s now the highest-rated scene on the site—and definitely the #1 scene of July.

Andrew Curse / Contributor

Andrew Curse launched his Porn Sessions review series on Twitter with a daily posting pledge, building a decent following through consistency and sharp insight. In 2025, he added long-form reviews to his arsenal, offering in-depth analysis of adult scenes across all genres. From high-profile releases to amateur creators, his writing focuses on performance, direction, and visual appeal. His guiding principle is simple: if the studio brings out the best in the performer, it’s worth talking about.